6 Favorite Ciders from Sonoma County

Bottles of Horse and Plow winery’s Hops and Honey Cider and Farmhouse Cider, at Horse and Plow winery in Sebastopol, California on Wednesday, July 27, 2016. (Alvin Jornada / The Press Democrat)

Fall is cider time, and Sonoma County is hard-cider central, with nationally recognized brands like Golden State and Ace as well as small-scale producers like Tilted Shed and Horse & Plow. We give them all props for preserving long-standing traditions, and for helping to rescue our heritage orchards.

The Idealist—Tilted Shed Ciderworks, Inclinado Espumante: A twist on Basque cider, with a hint of effervescence and made with dry-farmed Gravensteins from a single orchard. Hazy and oakfermented, it has a wild flavor with a bit of funk. 7765 Bell Road, Windsor, tiltedshed.com

Orange You Cute—Ethic Ciders, Zest: Apples and citrus are perfect partners in this, well, zesty cider. It’s bone dry with flavors of tangerine and blood-orange alongside plenty of crisp apple and a zing of rosehips. Available online at ethicciders.com

Ethic Ciders owners Ned and Michelle Lawton, their son Kielson, 12, daughter Remi, 9, and puppy, Luna, stand next to an apple press at their apple farm on Wednesday, December 26, 2018 in Sebastopol, California . (BETH SCHLANKER/The Press Democrat)
Ethic Ciders owners Ned and Michelle Lawton with their son, Kielson, daughter Remi, and puppy, Luna, at their apple farm in Sebastopol. (Beth Schlanker/The Press Democrat)
Jolie Devoto-Wade of Orchard's Estate Cider and Golden State Cider at Devoto Gardens and Orchards in Sebastopol, on Tuesday, July 21, 2015 .(BETH SCHLANKER/ The Press Democrat)
Jolie Devoto-Wade of Golden State Cider at Devoto Gardens and Orchards in Sebastopol. (Beth Schlanker/The Press Democrat)

Passion Play—Goat Rock Cider Company, Rosé Cider: The mix of passionfruit and apples gives this pink cider both a rose color and the flavors of rose wine. A Good Food Award winner and personal favorite. Available online at goatrockcider.com

Hoppy Times—Horse & Plow, Hops & Honey Cider: Though it sounds sweet, this dry sparkler is a mix of 10 varieties of apples, dry-hopped with whole hops with honey added as a fermenter. Hearty, earthy, and entirely unique. 1272 Gravenstein Highway N., Sebastopol, horseandplow.com

Agua Fresca-Inspired—Golden State Cider, Jamaica: A nod to the beloved sweet-tart hibiscus water found at many taquerias, this refreshing cider gets the pucker factor just right with the combo of dry cider and the tropical, floral notes of Jamaica. Plus, it’s adorably pink. 180 Morris St. at The Barlow, Sebastopol, drinkgoldenstate.com

The Original—ACE, BlackJack 21: The elder statesman of Sonoma ciders. This dry, celebratory cider features the Gravenstein apple, and is barrel-aged to mark the end of harvest season each year. 2064 Gravenstein Highway N., Sebastopol, acecider.com

As Wildfires Collide with Harvest Season, Who’s Protecting Sonoma’s Vineyard Workers?

As intensifying wildfires collide with harvest season, vineyard workers bear the brunt of the risk in bringing in Sonoma’s prized grape crop. What rules are in place to protect these essential workers? And do government regulators—and local industry leaders—need to do more? (Erik Castro/Sonoma Magazine)

Late into an unseasonably warm night in August 2020, Raymundo was harvesting Pinot Noir grapes with a 10-person crew at a vineyard in Healdsburg. A little over three miles away, the lightning-sparked Walbridge fire had begun to spread quickly, shrouding the hills of northwestern Sonoma County in thick smoke.

To protect himself, Raymundo put on an N95 mask, but his eyes began to itch and his head ached. Still, he and the crew kept working by the light of their headlamps, moving fast, breathing heavily.

Raymundo, 48, is a veteran farmworker who has labored in California vineyards since arriving from Mexico 22 years ago. At the time, he was living with his wife and three children in a small house on the same vineyard property where he worked. He asked that his full name not be used, for fear of retaliation from his employers.

That night, as he and his crew were busy harvesting, the smoke grew thick in the summer darkness. He looked up and saw a light coming toward them. It was the vineyard owner, who told them to stop work and go home. Although the fire was still a distance away, the smoke was too thick.

The next day, sheriff’s officials knocked on Raymundo’s door and told him and his family to evacuate. By that time, hotels in the region were full of fire refugees—a wide swath of west county was threatened by the Walbridge fire, and residents stretching from Guerneville to the western outskirts of Healdsburg had been ordered to flee their homes.

With nowhere to go, Raymundo and his family drove nearly four hours to a relative’s house in the Central Valley. Several days later, Raymundo got a call from his boss. Although evacuation warnings were still in place, it was time to go back to work.

Eduardo Olmedo trims back the canopy at Shannon Ridge Vineyards, in Clearlake Oaks, as smoke from the Rocky Fire fills the air, on Tuesday, August 4, 2015. (Christopher Chung/The Press Democrat)
Sonoma’s Ag Pass system has allowed some crews into evacuated zones. But advocates worry these workers have too few protections. (Christopher Chung/The Press Democrat)

Every year, for a frenzied period beginning in early August, Sonoma County’s vineyards reap the harvest they’ve spent all year cultivating. The roughly 11,000 grape workers who call the county home harvest a crop that covers more than 62,000 acres and in 2019 was valued at $654 million. Combine that with harvests from Napa, Mendocino and Lake counties, and the total haul topped $1.8 billion.

But those make-or-break weeks stretching through October now coincide with a fire season that’s grown longer and more catastrophic.

Farming goes on amid these disasters. Vineyard workers are deemed “essential” by the state, meaning their jobs continue even in times of crisis. They harvest regularly in the cool hours of night during the North Bay’s hottest and driest months. That collision — of fire season and grape harvest — now increasingly forces workers to risk their health, and sometimes their safety, to bring in the crop.

These competing environmental and economic forces have thrust Sonoma County to the front line of a human health dilemma with implications for fire-prone communities across the West. Amid a historic drought that’s fueling another severe fire season, local and state officials are proposing a raft of new regulations on this multi-billion-dollar industry, while leaders in the farm labor movement are calling for more to be done to protect their members.

Wine industry representatives and leaders say they recognize the health and safety risks as an emerging existential threat to their business — one on par with the threats posed by climate change.

“Worker safety is the number one priority for our local farmers,” says Karissa Kruse, president of Sonoma County Winegrowers, a group that represents the interests of 1,800 growers. “They provide workforce housing, education, and they have been innovative in how to safely keep vineyard workers employed during the Covid-19 crisis. Our local grape growers are not activists, but local families in our Sonoma County community who have been caring for the land, spending time and money investing in our community and ensuring that the health and well-being of their workforce is always at the forefront.”

Vineyard managers who oversee much of the harvest say they are taking steps beyond standard protective equipment such as face masks and safety checks to minimize the peril for laborers. Tony Bugica, director of farming and business development at Napa’s Atlas Vineyard Management and one of 11 commissioners of the Sonoma County Winegrowers, describes his harvest procedures with military precision.

In case cell networks go down, he carries a satellite phone. In case of stray sparks, every truck has a fire extinguisher and water tank. Everyone uses a buddy system so no one’s caught alone. “I never send anyone into a place where I wouldn’t go myself,” he says. “No job is worth a human life.”

But in an industry that has prided itself on environmental sustainability, the question hangs over Wine Country: Can it be as proactive about safeguarding its workers?

“Climate change is here,” says state Assemblyman Robert Rivas, a Democrat from Hollister who has introduced new legislation aimed at protecting farmworkers during wildfires. “And it has forced a lot of people, all across the county, to consider what kinds of conditions our farmworkers face not just during wildfires, but every single day.”

Tony Bugica, director of farming and business development of Atlas Vineyard Management, in his truck after checking in on his vineyard crew members at Cohn Vineyard in Healdsburg, California. July 23, 2021. (Photo: Erik Castro/for Sonoma Magazine)
“I never send anyone into a place where I wouldn’t go myself. No job is worth a human life.” — Vineyard Manager Tony Bugica. (Erik Castro/Sonoma Magazine)

Agricultural work can be perilous even in ordinary times. Until recently, wildfire smoke was not among the top concerns for labor advocates. But the infernos that have burned across Wine Country over the past four years — as well as a growing body of scientific evidence about the health risks of wildfire smoke — have changed that.

Smoke particles from wildfires are infinitesimally small, about one twentieth the size of a human hair. They can penetrate the body’s normal defenses, lodging deep inside the lungs. A toxic mix of heavy metals and chemicals released by burning buildings, automobiles, propane tanks, and other structures can also make wildfire smoke as much as 10 times more dangerous than other types of air pollution, according to a study from the Scripps Institution of Oceanography at UC San Diego.

Jennifer Fish, a family physician with Santa Rosa Community Health and cofounder of Health Professionals for Equality and Community Empowerment (H-PEACE), says she routinely sees farmworkers and their families suffering from the impacts of smoke inhalation. “This community is one of our most marginalized,” she says. “We see workers having no choice but to work under dangerous circumstances in order to survive.”

A variety of other risk factors, including poor access to healthy foods, unstable housing, and financial insecurity, can make farm laborers vulnerable to asthma, heart disease, and lung disease, says Fish. In pregnant women, smoke exposure is linked to low birth weight and preterm birth. There are also the invisible effects of living year after year with the stress of wildfire disasters: depression, anxiety, and PTSD.

The health risks don’t dissipate after the flames are extinguished. A recent UC Davis study found that residual ash continues to emit dangerous particulates that pose an additional threat to outdoor workers — even after the skies have cleared. And while it’s not known exactly how many of Sonoma County’s vineyard workers are undocumented — the share is said to be significant — that status can exacerbate a lack of access to health care and other aid.

In July, U.S. Rep. Mike Thompson cosponsored a bill that authorized $20 million to study the effects of smoke on human health and provides funding for ways to mitigate its effects.

Although rampant wildfire is not new in California, regulations protecting outdoor workers from the effects of smoke exposure are still in their infancy. The state agency tasked with ensuring worker safety, Cal/OSHA, only enacted its main standard in 2019.

The rule mandates that employers make N95 masks available to outdoor workers when the Air Quality Index (AQI) is higher than 151, or “unhealthy.” Workers are only required to wear masks when the AQI reaches 500, past “hazardous” — a designation so high that it is not separated out on the now-familiar color-coded index scale.

While many labor groups welcomed the new regulations, Jennifer Fish says that this baseline isn’t a sound basis for health policy. “If an AQI is over 150, I don’t go outside without an N95. It is not acceptable for people to work under those conditions,” she says. “This is negligent.”

But N95 masks aren’t effective when worn improperly. And they can make it difficult for wearers to breathe, especially during strenuous work, such as agricultural labor.

Jenny Fish M.D. who is fluent in Spanish and sees mostly patients from low-income and marginalized communities at Santa Rosa Community Health Vista Campus in Santa Rosa, California. July 30, 2021. (Photo: Erik Castro/for Sonoma Magazine)
“This community is one of our most marginalized. We see workers having no choice but to work under dangerous circumstances in order to survive.” — Dr. Jennifer Fish (Erik Castro/Sonoma Magazine)

Who Decides What’s Safe?

One of many points of contention in addressing issues of worker safety is that while federal and state regulations are on the books (and continue to evolve), too often the concerns of farmworkers go unaddressed. Cal/OSHA is the state agency charged with enforcing safe workplace practices— but the agency has long been overextended and understaffed.

Various state and county agencies each take on a different aspect of safety oversight, but labor groups say they could be doing more.

After an area is evacuated, the ones ultimately making the calls at key evacuation checkpoints are public safety officials—firefighters, police officers, even members of the National Guard—who monitor changing fire conditions, verify Ag Pass permits, and allow farmers and workers into evacuation zones.

While the county’s Agriculture Commission oversees the requirements for entry of farmworkers into evacuation zones, it denies having the legal authority or the funding to oversee worker safety behind evacuation lines.

The newly created Sonoma County Office of Equity has been working closely with the Agriculture Commissioner to revise the system in a way that ensures racial equity, but its mandate doesn’t include oversight of worker safety.

Meanwhile, labor advocacy groups like North Bay Jobs with Justice and the Graton Day Labor Center argue that because the county is making the decision to allow entry into these zones, it is also responsible for protecting the workers it allows inside.

Omar Paz, a lead organizer with the grassroots labor coalition North Bay Jobs with Justice, says he worries whether employers are following Cal/OSHA’s mask guidelines.

Karissa Kruse with Sonoma County Winegrowers says, “All our growers follow strict Cal/OSHA worker safety regulations and provide workers with personal protective equipment which is required by law.”

Last year, however, the United Farm Workers conducted a statewide poll of 350 farmworkers and found 84% reported that even in the middle of the Covid-19 pandemic, these workers weren’t receiving masks from their employers.

“Vineyards and wineries are extremely disconnected from the realities of the management companies they contract with,” says Paz. “I don’t think owners or even managers have a pulse on the reality of the conditions [workers are] facing.”

Cameron Mauritson, partner at Healdsburg-based Thomas Mauritson Vineyards, which grows roughly 1,000 acres of wine grapes in Sonoma and Lake counties, acknowledges wine industry businesses could do more to improve their responsiveness to worker needs. Although some of his employees have been working for the family for two generations, he worries about his blind spots.

“One of my biggest fears is, ‘What if we were making people feel unsafe and didn’t know about it?’” he says. One thing is clear: “We need better guidance from enforcement agencies—from OSHA.”

Cal/OSHA representative Frank Polizzi says the agency enforces the new smoke standard with targeted inspections of worksites, and points to new wildfire-safety training materials made available online. He also notes a recent effort, a “labor rights caravan,” organized by the state’s Department of Industrial Relations and the Labor & Workforce Development Agency, that has been making stops at farms statewide to educate workers on their right to protection from heat illness, wildfire smoke, and retaliation.

Still, labor advocates say that those wanting to file a complaint face daunting barriers: language, lack of knowledge of the system, and fear of reprisal.

Of the 144 Sonoma County complaints filed in 2020 with Cal/OSHA, four stemmed from problems with wildfire smoke and only one led to a citation.

Labor advocates say the small numbers point to a larger issue: Cal/ OSHA is severely understaffed, with only 10 inspectors for the fivecounty district to which Sonoma belongs. Only one of those inspectors speaks Spanish, and none currently speak any of the various Indigenous languages represented in the workforce.

“If you’re not able to enforce a law, then for workers at least, it doesn’t exist,” says physician Jennifer Fish.

Hilario Reys watches the Pawnee Fire burn from Cache Creek Vineyards, in the Spring Valley community east of Clearlake Oaks on Tuesday, June 26, 2018. (Christopher Chung/ The Press Democrat)
A vineyard worker watches a fire’s progress near Clearlake in 2018. Some workers feel they must continue to work during wildfires. (Christopher Chung/The Press Democrat)

In October 2019, the largest wildfire on record in Sonoma County thundered down from the Mayacamas Mountains into vineyard-rich Alexander Valley. As the flames pushed west to threaten Healdsburg and Windsor, Sheriff Mark Essick ordered the evacuation of nearly 40% of the county — more than 190,000 people, many of whom fled their homes in the middle of the night. The sheriff’s warnings over Twitter were increasingly urgent: “If you have NOT evacuated, DO SO NOW!”

On the north side of town, Corazón Healdsburg, a community center serving predominantly Latino families, was swiftly being converted into a Red Cross evacuation shelter for the refugees, many of them vineyard workers and their families, pouring in from the rural outskirts.

The community center’s emptied rooms were soon filled with rows of cots. Children carrying stuffed animals clung to their parents. Some families brought their dogs and cats, even their horses. One group of workers arrived after spending the previous night on the floor of a barn. The smoke was getting worse, and the sounds of helicopters and sirens could be heard outside.

Ariel Kelley, Corazón’s cofounder and then-CEO, sat at a table in the courtyard in her N95 mask, writing down names and addresses of the families anxiously seeking shelter. They asked her: How close was the fire? What was going to happen?

Kelley was surprised to find, even with the fire at close range, evacuated vineyard workers continued to go to work. They would drop off their belongings on a cot and leave in buses that pulled up outside Corazón’s doors.

Seeing that few of the workers had masks, Kelley and her staff grew concerned. They didn’t know where the workers were being taken, what the conditions were like when they got there, or who was looking out for their safety.

“We were telling them, ‘You have the right to stay here and protect your health. You don’t have to go to work,” recalls Marcy Flores, a programs manager at Corazón. “And they were just in this mindset of, ‘No, I do. I have to get paid, I need to go.’”

Tony Bugica, 2nd from right, director of farming and business development of Atlas Vineyard Management, checking in with crew member Maria Menara, 2nd from left, with Assistant Vineyard Manager Fermin Manzo, far right, and Assistant Director Kelly Cybulski at Cohn Vineyard in Healdsburg, California. July 23, 2021. (Photo: Erik Castro/for Sonoma Magazine)
Wildfires can make harvest work more frenetic and worrisome for farming managers like Tony Bugica, center, and his team. (Erik Castro/Sonoma Magazine)

An Industry Adapts

As the threat of wildfires intensifies across Northern California, Sonoma County’s wine industry has begun to adapt to this existential challenge by changing the way it trains, deploys, and supports its workers. The Sonoma County Farm Bureau and the Sonoma County Grape Growers Foundation have begun offering trainings on wildfire safety in English and Spanish, and are also working with the county’s Agricultural Commission to refine the system of allowing work inside evacuation zones. In addition:

During active fires, vineyard managers and crew leaders have adopted a range of safety measures in the field, including buddy systems, monitoring of wind speed and direction, and outfitting vehicles with extra water and fire extinguishers.

When smoke is present, some employers are making changes to the ways they deploy their crews: paying by the hour rather than by weight, using their own air quality sensors for more accurate on-the-ground readings, or determining their own, often more conservative standards, for what is considered “safe.” Some employers are choosing not to harvest inside evacuation zones. And others will stop outdoor work altogether when conditions are poor.

In certain cases, the industry has also provided direct financial assistance: Since 2017, the SCGGF has aided at least 1,500 farmworkers with gift cards, help purchasing RVs, and grants to pay rent.

Tony Bugica, the Atlas farming and business development director, starts every morning with transcendental meditation for exactly 23 minutes. He’s only missed one day: in early October 2017, when he and his crew were fleeing the Tubbs fire. That year, and every year since, Bugica has had to make tough decisions balancing business interests with the safety of the workers under his watch.

Smoke is hazardous for humans, but it’s also bad for grapes. If it hits the wrong varietal at the wrong time, it can cause smoke taint, a set of off-flavors that can render the fruit unusable.

During a fire, the harvest becomes a frantic salvage job. Vineyard managers like Bugica are tasked with bringing in as much of the crop as they can, as safely they can.

In 2019, with the Kincade fire burning nearby, Bugica pulled his truck up to a checkpoint at the edge of the evacuation zone near Healdsburg, hoping to get inside. Grapes needed harvesting in a vineyard off Westside Road, where residents had already been cleared out. Earlier that day, he and his 5-year-old daughter had watched planes dropping fire retardant onto the hills. The smoke had created a “blackout” in Healdsburg, but where he sat, for the moment, at least, the air quality was good.

In his hand he carried a piece of paper signed by the county’s Agricultural Commissioner stating that he and the handful of crew members accompanying him had essential agricultural duties to perform inside the evacuation zone. The officer at the checkpoint decided conditions inside were safe enough and waved Bugica through.

Once on the property, Bugica says he evaluated the situation. He looked at wind speed and direction and tested the air quality with his portable sensor. All seemed OK.

Satisfied with the conditions there off of Westside Road, Bugica called in his crew.

The ad-hoc “Ag Pass” system that allowed Bugica and his crew to pass through evacuation checkpoints was designed to accommodate the needs of the county’s farmers. The program, which began in 2017, was a singular effort among different Sonoma County jurisdictions to verify whether a farmer or landowner has a legitimate business reason to enter evacuation zones.

During the Glass and Walbridge fires of 2020, Agricultural Commissioner Andrew Smith’s office issued passes to 613 agricultural producers and their employees. “People make calculated risks to support their business and their livelihood,” says Smith. “If you’re an employee, you always have the opportunity to decide whether you want to go. No one’s forcing anyone to do this work, and it’s not appropriate for them to do so.”

But those close to the farmworker community worry low-income workers who don’t speak English and aren’t trained to evaluate the risks are being asked to work in areas deemed unsafe for the general population. Aside from their employers, advocates say, no one is responsible for their well-being.

“The default should be protecting health and human safety — and to not let that be outweighed by the economic pressure of picking grapes. And that’s a really challenging conversation to have,” says Kelley, the Corazón Healdsburg cofounder.

Whoever is staffing the checkpoint—whether it’s the sheriff, highway patrol, or even the National Guard— has final discretion over whether to let crews into evacuation zones. But the perimeter of these areas can be vast, the boundary not necessarily reflective of shifting smoke conditions. What’s safe one minute, in one place, may not be safe the next.

Aside from vineyard managers like Bugica, who else decides what’s safe and when? And to whom are they accountable?

“That’s a very, very, very good question,” says Alegría De La Cruz, an attorney and director of Sonoma County’s newly created Office of Equity.

With OSHA limited in its capacity to respond to workplace safety violations, some labor activists are questioning whether local government should be playing a bigger role. Elected officials and health and business leaders “have the direct responsibility to protect and advocate for our most marginalized workers,” says Fish, the Santa Rosa physician. “They’re the ones with the power.”

While various county agencies own a piece of the disaster response during a wildfire, none are specifically tasked with monitoring worker safety, either inside or outside evacuation zones. “That’s OSHA’s responsibility,” Smith says. “Why would we want to adopt responsibility for something that we don’t have the legal authority to do?”

There’s new recognition within the wine industry, as well as the government, that broader support is necessary.

At the county level, Smith is working with De La Cruz’s office and a host of other agencies, as well as community stakeholders and farmworker groups, to revise the current Ag Pass system, an effort that is also occurring at the state level. Sonoma County Winegrowers and the Sonoma County Farm Bureau have started offering wildfire safety training sessions that will become a requirement for anyone applying for such passes in the future. Tony Bugica and the rest of Atlas’ crew leaders are already certified.

The momentum aligns with a growing recognition, De La Cruz says, “that Sonoma’s not alone in these challenges. Our state is dealing with this too. This gives us a real opportunity for leadership.”

Rivas, the state Assemblyman, has introduced new legislation aimed at protecting farmworkers during fire season. The bill would give OSHA authority to deploy “wildfire smoke strike teams” to check on worker safety in real time; would create a state stockpile of protective equipment for workers; and would require regular wildfire safety trainings for employees in English and Spanish.

“Agricultural work has always been essential,” says Rivas. “We have to do better. We have to do more.”

Omar Paz with the labor coalition North Bay Jobs with Justice says farmworkers are too often forced to risk their health and safety to ensure their livelihood. (Erik Castro/Sonoma Magazine)

Vineyard workers who fear that policy change is not keeping pace with the urgency of the moment are stepping up to make sure their voices are heard.

Maria Salinas, a mother of four, is a veteran former field hand whose relatives still work in Sonoma County’s vineyards. She’s seen them come home after working during a wildfire, “covered in ash and soot, spitting up gobs of black saliva.”

Salinas speaks Chatino, an Indigenous language from southern Mexico. She came to the U.S. in 2003 and is now a full-time activist with the region’s Indigenous immigrants, many of whom are vineyard workers.

Last year, during the twin emergencies of the pandemic and the worst wildfire season on record in California, farmworkers began to share their accounts with Salinas and others of the fear and danger they were experiencing. The stories gave momentum to a budding movement ,but also exposed, according to Salinas and Paz, a dearth of data on the experiences and concerns local farmworkers have with wildfire and smoke.

Working with Michael Méndez, an assistant professor of environmental planning and policy at UC Irvine, labor organizers developed a survey about farmworker health and safety concerns that has since garnered over 100 responses.

The tally was encouraging, and this summer the project team turned to identifying farmworkers who might serve as leaders for their ranks on the issues of worker safety and a range of other priorities. Three dozen of them—including female, LGBTQ, and Indigenous vineyard workers— stepped forward to begin that process.

“People who have been doing this work for much longer than me said they’d never seen anything like it,” Paz says. The coalition they’re building as a result of their work on fire safety, he says, is an important new step—though he feels strongly that their work is built on that of previous movements for worker justice in California.

“We started this movement with a small team, and I was anxious,” says Salinas. “But joining with other organizations, we’ve started growing.”

Maria Salinas, advocate and voice for the Oaxacan indigenous community and a full time member of the Movimiento Cultural de la Union Indigena, photographed at her home in Petaluma, California on July 14, 2021. (Photo: Erik Castro/for Sonoma Magazine)
“The biggest reason why I’m doing this work is for my children. I want to fight for a better world for them.” — Indigenous Community Activist Maria Salinas (Erik Castro/Sonoma Magazine)
Maria Salinas, advocate and voice for the Oaxacan indigenous community and a full time member of the Movimiento Cultural de la Union Indigena, photographed at her home in Petaluma, California on July 14, 2021. (Photo: Erik Castro/for Sonoma Magazine)
Maria Salinas, advocate and voice for the Oaxacan indigenous community and a full time member of the Movimiento Cultural de la Union Indigena, at her home in Petaluma. (Erik Castro/Sonoma Magazine)

Amid the range of existential issues posed by climate change and wildfires, wineries and vineyards are also making changes to the ways they harvest their crops during emergencies.

Cameron Mauritson of Thomas Mauritson Vineyards touts his farm’s ability to employ a full-time vineyard crew, which allows more control over the way workers are deployed. In Healdsburg, Preston Farm & Winery and Quivira Vineyards operate under a similar in-house model.

But that setup is less common, as outsourced vineyard management companies provide economy of scale and savings in much of the county.

Mauritson has experimented with paying his harvest crew by the hour, rather than by the ton, when there’s smoke. This way, they’re able to not work at their normal breakneck speed. He also provides free housing to nearly 60 people—employees and their families— and extra sick and vacation days. The winery guarantees a minimum wage even when employees are prevented from working due to circumstances like wildfires.

These are the kinds of changes that some individual employers are able to make. But when it comes to policy, Mauritson says, “we need to have more seats at the table for the people who are doing the actual work.”

“If anything, there’s proof out there that you can effectively pick your crop as needed, as long as you’re being thoughtful about it,” says Kelley, who was elected last year to the Healdsburg City Council.

For Paz, the positive steps by some show that more needs to be done across a wider swath of the industry to support workers — so they don’t feel they have to choose between their safety and paying next month’s rent. “We want to be partners with government and industry,” he says. “We’d love to support vineyards that make the changes for a better workplace.”

IIn July, back at Atlas headquarters, Tony Bugica sat in his office and considered the five priorities farmworker advocates had recently put forward to protect local vineyard workers: disaster insurance; hazard pay; safety trainings in Spanish and Indigenous languages; clean bathrooms; and community safety observers trained to accompany workers into the fields during fire emergencies, ready to report safety violations to CAL/OSHA.

Bugica didn’t balk at the first four — although he isn’t prepared to open his fields to community safety observers. When it comes to OSHA inspectors, however, “we have an open door policy,” he said, spreading his hands wide.

Whether the industry at large is as flexible and ready for those changes remains an open question.

Another peak fire season is fastening its grip on the region, and no one knows what that will bring this year. If the last four years are any indication, it may well resemble a now-familiar harvest scene, mirrored by thousands of workers in vineyards spread across the county, their heads bent low, clouds rising behind them. The figures are small, the sky smoky and vast.

But that outside perspective overlooks an element that is central to the story of farmworkers and fire, says De La Cruz of the county’s Office of Equity. “These workers are highly skilled,” she says. “There is a lot of pride and care that goes into the work they do with these vines.”

Maria Salinas makes a similar point. “Farmworkers deserve something better. Dignidad.” She repeats the last word several times, nodding.

“I feel very excited and hopeful for the work we’re doing,” says Salinas, “knowing that it may be a long journey ahead.”

Flames descend a hillside above Kenwood, California, with the vineyards of Kunde Family Winery in the foreground, on Tuesday evening, October 10, 2017. (Photo by Alvin Jornada)
Flames descend a hillside above Kenwood, California, on Tuesday evening, October 10, 2017. (Alvin Jornada/The Press Democrat)
Heavy smoke from the Kincade Fire hangs in the air above the vineyards at Robert Young Estate Vineyards in Geyserville, California, on Friday, October 25, 2019. (Alvin Jornada / The Press Democrat)
Heavy smoke from the Kincade Fire hangs in the air above vineyards in Geyserville, California, on Friday, October 25, 2019. (Alvin Jornada /The Press Democrat)
Editor’s Note: This story has been updated to reflect the way worker safety priorities were discussed with Atlas Vineyard Management’s Tony Bugica, and clarifies Bugica’s position on allowing safety observers into vineyards.

Petaluma Ceramist Creates Stunning Stoneware Mugs and Vases

Heather Fordham converted her garage into a pottery studio a few years back to focus on improving her craft. (Paige Green)

Her creations bring joy to our everyday rituals. “It’s nice to think of people starting their day with one of my mugs. I get to help them get caffeinated,” laughs ceramicist Heather Fordham. “Or have a cup of tea when they need to calm down.”

The Petaluma mother of two converted her garage into a pottery studio a few years back to focus on improving her craft. But when looking at her work, including elegantly glazed matte-black mugs and dinnerware, it’s hard to imagine even a hint of artistic struggle. “It looks so much like cast iron. It just feels strong — and it goes with everything,” says Fordham.

With a focus on form and shape as opposed to decoration, if Fordham isn’t happy with something, odds are good it won’t make it to the final firing. She doesn’t hesitate to recycle clay, working with it again and again until she gets exactly what she wants. “I am a perfectionist, and that probably shows in my work,” she laughs. “I just want to get better. That’s my main goal, to improve my craft, and it’s fun to see that happening over the years.”

Stoneware vase by Heather Fordham. (Paige Green)
Stoneware mug by Heather Fordham. (Paige Green)

As her kids head back to school this fall, Fordham is excited to have more time to indulge in the creative process and make use of a newly acquired kiln with even more capacity. Mugs may be her favorite thing to make, but she continues to branch out, working with weightier pieces of clay to create larger plates, broad serving bowls, and taller vases —which have a knack for finding their way to friends’ and neighbors’ homes filled with flowers from Fordham’s own garden.

Heather Fordham works at the potter's wheel. (Paige Green)
Heather Fordham works at the potter’s wheel. (Paige Green)
Tools in Heather Fordham’s Petaluma studio. (Paige Green)

Interest in Fordham’s work on is the rise, as locals see it in use at nearby restaurants, including Table Culture Provisions. Fordham is thrilled by the attention but remains focused on investing that success back into her maker community. A passionate supporter of fellow small-business owners, she collects mugs made by other Sonoma ceramicists. The stockpile comes in handy on a daily basis as she indulges in her morning ritual at Petaluma Coffee & Tea Co.

“I like to think I’m supporting my fellow potters when I drink out of their mugs, when I purchase theirs, so I think it’s just supporting the makers I know. It’s a nice connection to them.”

Buy Fordham’s ceramics directly from the artist on Instagram @heatherfordhamceramics. You can also find her work at area restaurants and design shops, including Penngrove Market, Table Culture Provisions, and Herb Folk.

A Sonoma Family Retreat Creates Space for Long-Held Vineyard Dream

In the town of Sonoma, down a long gravel driveway and past a young Grenache vineyard, is the serene home and garden where the five members of the Potter family hunkered down as the world changed. Extra time at their Sonoma ranch was a silver lining to the upheaval of the pandemic say Scott, who works in private equity, and Dara, a consultant. The couple’s kids, Jordan (15), Miles (13), and Rhea (11), are an active bunch, logging hours in the pool and kicking around soccer balls with their Vizsla pup, Cali. “We also spend a lot of time playing golf at the Sonoma Golf Club and love riding our cruiser bikes to Sonoma Plaza,” says Dara.

The family bought the property in 2017, looking for a weekend retreat with a warm summery climate and good food and wine nearby — the fact that there was space for an on-site vineyard was a bonus for the couple. “Scott and I had dreamed of having a vineyard and making our own wine someday,” explains Dara.

Dara and Scott farm their 1,700 vines organically, with help from Mike Nuñez of Nuñez Vineyard Management. They’ve named it Figure 8 Vineyard, a nod to Dara’s former life as a competitive figure skater. Figures are an essential discipline that teach young skaters the foundations of edging, Dara explains. And since this is the family’s first foray into growing grapes, they say the name also represents newness, abundance, and love. They’re hoping for their first full crop next fall. “We can’t wait to get our allocation of wine made with Figure 8 Vineyard fruit,” says Dara.

Scott and Dara Potter with their kids, Jordan (15), Miles (13), and Rhea (11). (Rebecca Gosselin/Sonoma Magazine)
Raised veggie beds contain deep, rich soil for kale, salad greens, chives, and other crops. (Rebecca Gosselin/Sonoma Magazine)

The process of choosing which varietal to grow was as thoughtfully considered as the vineyard’s name. “Even though Sonoma is known for Pinot and Chardonnay, we wanted to do something different,” says Scott. Mike Nuñez introduced the couple to the folks at nearby Anaba Wines, who also weighed in on choosing the varietal and rootstock. So committed were Dara and Scott to their winegrape research that pre-pandemic, they traveled to France’s Rhône Valley and Spain’s Priorat region, both areas where Grenache Noir is widely grown. “Turns out, the grape fit very well with the soil composition at our property,” says Scott.

When they bought the home, the existing landscaping was minimal, with a lot of economical bark used as ground cover. Paul Rozanski of Rozanski Design helped the couple envision different outdoor spaces—a veritable Potter wish list that included a small soccer field, bocce area, outdoor kitchen, and space for veggies, olives, and fruit trees in addition to the vineyard. Part of the plan was to execute the
design in stages, over time, so that the space could evolve as the family’s needs did.

The outdoor area has different spaces for dining and socializing. (Rebecca Gosselin/Sonoma Magazine)
The patio overlooks a pool, a green area and tall grasses. (Rebecca Gosselin/Sonoma Magazine)
Outside dining area. (Rebecca Gosselin/Sonoma Magazine)
Outside dining area. (Rebecca Gosselin/Sonoma Magazine)

During the initial design, Rozanski took Dara and the kids to Sweet Lane Wholesale Nursery in Santa Rosa to help choose trees and grasses. “One of the most memorable moments was when Paul asked Rhea to pick out a plant of her own,” remembers Dara. “She chose a mulberry tree, and I smile every time I pass ‘Rhea’s tree.’” And Dara and Scott adore Japanese maples, so Rozanski made sure a handful of Acer palmatum ‘Emperor One’ made the final design.

Mulberries, lettuces, and especially figs all end up going from straight from the garden to the family’s dinner table, says Dara. “We put figs on everything, whether it’s a cheese platter, salad, fig jam, marmalade for pork…figs are a favorite in the Potter house.”

The Potter family bikes through their vineyard. (Rebecca Gosselin/Sonoma Magazine)
The family’s fig trees produce their second crop in fall. (Rebecca Gosselin/Sonoma Magazine)
Rhea by her tree. (Rebecca Gosselin/Sonoma Magazine)
Rhea by her mulberry tree. (Rebecca Gosselin/Sonoma Magazine)
Sonoma’s Rozanski Design planned the landscape, including classic pairings such as grasses and olive trees. (Rebecca Gosselin/Sonoma Magazine)

The Potters are looking forward to fall (“this time of year, the reds, oranges, and yellows around here are stunning,” says Dara), and, hopefully, being able to host gatherings again. They’d like to invite friends to join them for the fall olive harvest, helping to gather the fruit before it’s sent off to be pressed into oil. As the tail end of summer blends into cooler, more colorful days, the Potters say they enjoy seeing how the winemaking community works together to bring the joy of harvest in Sonoma Valley to everyone.

A peek inside… 
The living room. (Rebecca Gosselin/Sonoma Magazine)
The kitchen/dining area. (Rebecca Gosselin/Sonoma Magazine)
Resources 

Interior design: Elena Calabrese Design & Décor, elenacalabrese.com

Landscape architecture: Rozanski Design, rozanskidesign.com

Vineyards: Nuñez Vineyard Management, nunezvineyard.com

One family’s love of Japanese maples

Designer Paul Rozanski’s plan for the Potter family’s Sonona home incorporates their affection for Japanese maple trees, which the designer sourced at Sweet Lane Wholesale Nursery in Santa Rosa. Nursery manager Joe Hadley says Japanese maples are a subtle, beautiful choice: “They have an elegance of form and structure that is unique to the species, and their sizes are ideal for more personal or intimate gardens. Plus, they are quite nice from a distance and exquisitely sculptural up close.”

Hadley says a landscape designer or nursery professional can help homeowners choose the right Japanese maple for their site’s light, water, and soil characteristics. “Maples can be more complicated than people imagine,” he says. He recommends the book “Right Plant, Right Place” by Nicola Ferguson for learning more about how to match plants to a particular location.

The most popular Japanese maples Hadley sells for Sonoma gardens include Acer palmatum ‘Bloodgood,’ ‘Green,’ and ‘Emperor One.’ But he encourages people to branch out, as there are many lesser-known varieties that offer unique color and character. For three-season color, Hadley recommends Acer palmatum ‘Omato.’ And he likes varieties of Acer shirasawanum (the “full moon” maple) for beautifully layered texture and form.

Shop Along the Sonoma County Art Trails This Weekend

One of the best ways to add a personal touch to your home is to incorporate artwork. But buying art can be expensive and the more affordable mass-produced prints that you can purchase online don’t always reflect your own personal preferences or style. Thankfully, Sonoma County is home to a variety of emerging and established artists who exhibit their works in galleries and studios. During two weekends in September, locals and visitors to Sonoma County can meet some of these artists and view and buy their artwork during the Sonoma County Art Trails (Sept. 18-19 and 25-26), an open studio tour now in its 36th year of operation.

Visitors to the Sonoma County Art Trails can download a guide that lists the 121 participating artists and the location of their studios — just follow the map and look for the square blue signs on the street near each studio. Studios are open from 10 a.m. to 5 p.m. and exhibit a variety of artwork, including oil paintings and water colors, ceramics, sculpture and even handmade furniture.

Sebastopol watercolorist Sally Baker is thrilled to be opening her studio doors to the public this year, especially since last year’s event was canceled due to the pandemic.

“Artists thrive on the interplay of their art with those who encounter it,” said Baker, whose still life paintings typically feature a glass element. She likes how glass distorts the lines seen through it, creating an abstract effect within a realistic context. “Sometimes in talking with an artist and understanding what inspired them to do a piece, the (viewer) becomes more engaged,” she added.

Still life by Sebastopol watercolorist Sally Baker. (Sally Baker)
Still life by Sebastopol watercolorist Sally Baker. (Sally Baker)

Santa Rosa botanical artist Victoria Kochergin said that the Art Trails event gives visitors a real taste of the area. “It’s like wine tasting without the wine. It’s seeing and enjoying art and talking to the artist.”

Kochergin recalled the 2017 Art Trails, which took place just after the destructive North Bay Fires — although a few participating artists tragically lost their homes, the October show went on as planned. At the time, visitors told her that the tour provided “a quiet place away from the chaos.”

Viewing art, she said, can be healing and calming. “When you’re looking at art, you’re in the moment. It allows you to be still and allows a nice bit of peace.”

Victoria Kochergin uses colored pencil to create vivid and detailed botanical art. (Victoria Kochergin)

Kochergin likes to draw flowers and fruit from local places, like her mother’s garden, Luther Burbank Home & Gardens in Santa Rosa and even the gardens of Alcatraz, and uses colored pencil to create vivid and detailed botanical art.

“I feel this immense responsibility that I depict the beauty of (the botanicals). It’s really capturing a moment in time,” she said.

Mixed-media artist Carolyn Wilson recommends visiting the main preview exhibit at the Sebastopol Center for the Arts, which showcases one piece by each artist on the Art Trails tour. “(It’s) a great way to plan studios to visit. Pick up a Collector’s Guide and circle which artworks interest you,” she said.

Wilson said some Art Trails visitors like to explore a particular area of Sonoma County, like west county or Petaluma, while others focus on particular types of artwork, like landscapes or abstract works. Some visitors just “drive around and pull in when they see one of the signature blue Art Trails signs along the road,” she added.

Artist Carolyn Wilson creates mixed media work. This Fountain Grove painting was donated to raise money for fellow Art Trails artists who suffered losses in the 2017 Tubbs Fire. Proceeds from the sale of reproductions were donated to the Redwood Credit Union fire relief fund. (Carolyn Wilson)

No matter where you stop along the Art Trails these upcoming weekends, you’ll be able to view a professional artist’s works. The artworks are selected, or blind juried, by a group of art professionals from outside of Sonoma County.

“There are so many styles, you’re bound to find something you’re going to click with,” said botanical artist Kochergin.

Sonoma County Art Trails, September 18-19 and 25-26, 10 a.m. to 5 p.m. Main preview exhibit at Sebastopol Center for the Art, September 17 to October 3, Sunday through Thursday, 10 a.m. to 5 p.m. Select artists are featured at Corrick’s, Gallery One and Fulton Crossing, until September 26. For more information, visit sonomacountyarttrails.org

50 Top Restaurant Patios in Sonoma County

In search of a great meal to enjoy outdoors? Here are a few of our favorite alfresco dining spots, featuring shaded, covered and heated patios and sun-dappled gardens. Click through the above gallery for details. 

Grace Yarrow contributed to this article.

These Latina Winemakers and Winery Executives Are Making a Splash in Sonoma County

This article was originally published in September 2020.

When Ulises Valdez established his vineyard management company in Cloverdale several years ago, he named it Valdez & Sons and proudly placed its logo on company trucks. At the time, his sons, Ulises Jr. and Ricardo, were still too young to work. But his daughters, Elizabeth and Angelina, were busy helping their mother, Adelina, with timecards, billing, accounting and other administrative tasks for the company.

“It’s just how it was,” said Elizabeth Valdez, now 29 and the Valdez Family Wines winemaker.

In the traditional culture of Latino immigrants such as Ulises Sr., who came from Michoacán, Mexico, to Sonoma in 1985, it was men who did the physical work, provided for their families and taught their sons to do the same. Women kept house, cooked meals and cared for the children, training their daughters for future marriage and motherhood. It wasn’t much different than how most U.S.-born families functioned until the 1950s and ’60s, the divisions of labor very much determined by sex and not ability nor aspiration.

Over time, however, Elizabeth Valdez showed her father that hands-on experience in the cellar, training by acclaimed winemakers such as Jeff Cohn and Mark Aubert and enology coursework at Santa Rosa Junior College and UC Davis had prepared her for the tasks of rolling barrels, shoveling out tanks, driving forklifts and producing excellent wines.

“In 2015, my father finally said, ‘I think you’re ready,’ and I made my first vintage of wines in 2016,” she recalled.

Elizabeth Valdez. (Courtesy of Valdez Family Wines)

Ulises Valdez Sr. died of a sudden heart attack at age 49, at the start of the 2018 harvest. Despite their sorrow, Elizabeth continued with the winemaking and, the day after his father’s death, Ulises Jr. delivered just-picked grapes to other wineries contracted for the family’s vineyard management services. “Padre” would have been proud of his kids.

“He taught us to work hard and we’ll keep doing that,” Elizabeth said. “It takes all of us to do the work he did himself. We’re proud to be a family business, which he always wanted.”

A place for women

Monica López’s parents, Al and Dina López, were already successful businesspeople when they entered the Sonoma wine industry.

The couple previously had worked in design and publishing; at one point they owned the iconic Lowrider Magazine. After selling the publication, they went into real estate and eventually bought 40 acres off Mark West Springs Road in northeastern Santa Rosa in 1998. They built a home there, and Al planted a hobby vineyard from which he made wine.

“The vineyard was a passion project for my parents, which evolved into a winery. We like to say it was their 10th career,” Monica López, 37, explained. “My brother, Francisco, and I were guided by our entrepreneurial parents to work hard, be passionate about what we do and do it with integrity.”

Monica López. (Courtesy of Aldina Vineyards)

López is now CEO of Aldina Vineyards and Bacchus Landing Cellars in Healdsburg, a 52,000-square-foot project scheduled to open in spring 2021 that includes tasting room spaces for Aldina and other wineries and indoor and outdoor event spaces.

“It feels like a man’s world in the wine industry, but there is definitely a place for women in it,” she said. “We have a priority of involving Latina women in our business. Our winemaker, Belén Ceja, makes our wines at Heirs of My Dream, a custom-crush winery she owns, with her sister, Ellie.”

More visibility

Twenty-three years ago, Ana Keller, the youngest of Arturo Keller’s four children, left Mexico City for the United States and a career in winemaking. Armed with a biochemistry degree yet zero knowledge about how to grow grapes and produce wine, she learned the ropes quickly at her father’s Keller Estate east of Petaluma. She soon made it a showpiece property and winery and played a major role in creating the Petaluma Gap AVA.

Ana, 49, embraced a philosophy now quoted widely from the mouth of Sara Blakely, founder of the Spanx shapewear company: “Hire your weaknesses.”

“I stepped into running (Keller Estate) and had to wear lots of hats,” Ana said. “I realized I had to hire good people to help.”

Like López at Aldina Vineyards, Keller works hard to get more Latina women into the wine industry. There are plenty of job opportunities available to them there, she said, in addition to winemaking. Skills and experience in administration, human resources, legal work, hospitality and design are highly sought after at most wineries.

“One in four jobs (in Sonoma) is related to the wine business,” Keller said. “I’ve met women who think being Latina is not an asset in the wine industry. They believe it’s hard enough being female and don’t share their heritage when employers can see it as an asset. This is a time for Latinas to step up and make themselves visible.”

Wines to try

In addition to demonstrating the success women and Latina women can experience in the wine industry, the Aldina, Keller and Valdez wineries produce gran vino. Here’s more about them in a nutshell.

Aldina Vineyards: The brand of Monica, Francisco, Dina and Al López is best known for its cabernet sauvignon, produced from the Aldina Vineyard in the Fountaingrove District in northeast Santa Rosa. Their winemaker, Latina Belén Ceja, also bottles small amounts of chardonnay and rosé from Ceja Vineyards grapes grown in the Carneros region. The López family’s Bacchus Landing Cellars tasting room complex is scheduled to open in spring 2021 on the outskirts of Healdsburg. Aldina will be joined by a handful of other wineries, each with its own 1,800-square foot space and access to a rooftop event/tasting space.

707-799-1821, aldinavineyards.com. No tasting room at this time; order online.

Keller Estate Winery: As estate director, Ana Keller continues the vision of her father, Arturo Keller, operating an estate that combines vineyards, winemaking and olive groves for oil and outdoor art. Arturo’s love of classic cars, many of which are displayed or stored at the winery, factored into his purchase of the estate. The Keller La Cruz Chardonnay and El Coro Pinot Noir, made by Julien Teichmann, are superb, as is a somewhat hidden gem, a meaty Rhone Valley-style red blend called Rotie. If there is one winery at which to experience the winds and fog that shoot through the Petaluma Gap AVA in the afternoons, this is it. The views are spectacular.

875 Lakeville Highway, Petaluma, 707-965-2117, kellerestate.com. Open for outdoor tastings; schedule appointments online.

Valdez Family Winery: Adelina Valdez and her children (Elizabeth, Angelina, Ulises Jr. and Ricardo) now live on their Silver Eagle Vineyard, planted by Ulises Sr. in 2006. It’s a prime spot in the Green Valley of Russian River Valley, planted to chardonnay and pinot noir grapes that go to top producers. Winemaker Elizabeth keeps some of the best rows for the Valdez Family Wines label, and while production was intentionally reduced after the 2018 death of her father, the gems remain in her Silver Eagle Chardonnay and Silver Eagle Pinot Noir. Her brother, Ulises Jr., is in charge of the farming, though every Valdez is involved in the business.

707-291-8030, valdezfamilywinery.com. No tasting room; order online.

First Look: The Matheson Opens in Healdsburg

Four long years in the making, Chef Dustin Valette’s epic restaurant concepts The Matheson and Roof 106, pictured, have finally opened to the public in Healdsburg. (The Matheson)

Four long years in the making, Chef Dustin Valette’s epic restaurant concepts The Matheson and Roof 106 have finally opened to the public in Healdsburg. Bite Club got a preview of the 231-seat, three-level restaurant and lounge on opening night, Sept. 2, with other diners eager for a peek.

The Matheson occupies the ground floor, a sweeping, open space ringed by eight murals of Wine Country scenes by San Francisco artist Jay Mercado and crowned with a barrel-stave-inspired ceiling.

An open kitchen serves high-end appetizers and entrees, as well as Japanese-inspired dishes — including nigiri stunners created by Hana Japanese Chef Ken Tominaga and executed by sushi chef Daisuke Somato. The Tamanishiki rice porridge ($19), a risotto-like starter of black rice, a single perfectly cooked day boat scallop and preserved lemon, was the star of the night. Seasonal tomato salad with whipped burrata, lovage, sea beans and rye “soil” ($15) also was excellent.

The Matheson in Healdsburg. (The Matheson)
Tamanishiki Rice Porridge at The Matheson in Healdsburg. Heather Irwin/Press Democrat
Tamanishiki Rice Porridge at The Matheson in Healdsburg. (Heather Irwin/Sonoma Magazine)

The Matheson menu is likely to change over the coming weeks and months with the seasons. For now, it includes Kampachi Crudo ($21), Aged Sonoma Duck with plum glaze ($38), Pumpkin Seed Mole with Oaxacan cheese and tempura squash ($28), along with several cuts of steak.

The tasting menu, always a solid choice at nearby Valette restaurant, includes a “best of” with sashimi, tomato salad, king salmon, Sonoma lamb and a dark chocolate pave for $95. From the bar, we also tried the Truffle Shuffle cocktail ($18) with truffle-infused Sazerac, sweet vermouth, celery and bitters ($18), which was mostly like a Manhattan and not so much like a truffle, but still fun.

Kampachi Crudo with cucumber agua chile, puffed sushi rice and finger lime. Heather Irwin/Press Democrat.
Kampachi Crudo with cucumber agua chile, puffed sushi rice and finger lime. (Heather Irwin/Sonoma Magazine)

Upstairs at Roof 106, diners will find a more casual indoor-outdoor setting with a cozy bar inside and a mix of sofa-style and chair seating and plenty of greenery outside under an airy, extended pergola.

Roof 106 serves shareable snacks, including a tasty Fried Sweet Corn with citrus crema ($9); Tominaga’s Hand Rolls ($4 – 6); and wood-fired pizzas like the Cured Pork Belly with Gruyere, red onion and roasted garlic crème fraîche ($21). Larger plates of steak, crispy pork belly and a burrata and peach salad round out the menu along with entertaining frozen “push pops” ($5) of our youth in grown-up flavors like Coconut Rum Mojito and Yuzu Strawberry.

The upstairs bar serves up their own list of cocktails, among them the Modern Margarita ($10) with tequila and clarified lime, a molecular-gastronomy take on a classic. Don’t miss the beehive-themed details either, including the hexagon-shaped tiles surrounding the bar.

Expect a deeper dive in early fall as dining writer Carey Sweet and I explore the menus in detail. Reservations online at thematheson.com. 106 Matheson St., Healdsburg.

More dining news from Sonoma

Sarmentine opens: After gaining a following for her home-delivered French pastries, Alexandra Zandvliet has opened a bakery at 52 Mission Circle, site of the former Muffin Street Bakery. Offerings are limited as Zandvliet and her staff get up to speed, but you’ll find croissants and baguettes on most days, along with brioche, fougasse (a French flatbread similar to focaccia) and rustic boules. Don’t miss the espresso drinks and the refrigerated case with Laura Chenel marinated goat cheese, Marin French Cheese Co.’s washed rind Triple Creme Brie and French pates. Hours change frequently, so check sarmentine.com for the latest information.

Stellina Pronto Italian Bakery and Cafe in Petaluma

Pastries at Stellina Pronto in Petaluma. (Heather Irwin/Sonoma Magazine)

Stellina Pronto is a stunning Italian bakery and sandwich shop for the former owners of Osteria Stellina in Point Reyes. You’ll usually find a long line for the extensive selections of sweets and savories. Go early for the best picks.

Chef Christian Caiazzo didn’t spend 35 years behind the stoves of Michelin-starred restaurants to become a barista, but that’s where the former owner of Point Reyes’ celebrated Osteria Stellina has found himself — slinging cappuccinos and lattes in downtown Petaluma. And he’s OK with that.

Standing behind the espresso machine at his new bakery cafe, Stellina Pronto, Caiazzo is back in the game, pumping out orders. After closing their critically acclaimed restaurant in August 2020, citing the pandemic and other pressures, Caiazzo and his wife, Katrina Fried, opened the ever-evolving Italian bakery early this summer. Humbled by the pandemic loss, Caiazzo and Fried are among the millions of restaurateurs urgently trying to figure out how to run a restaurant in a world that no longer supports traditional restaurant business models.

“This is me reinventing myself,” he said recently at the cafe, as he made a perfect foam with extra-rich milk from Straus Family Creamery. It is, admittedly, pretty delightful.

The cafe, which eventually will include a wood-fired oven for pizzas and piadine, meatball subs and chicken Parmesan, is a concept Caiazzo said he’s been working on for the last three years.

“I asked myself how I could do something different to make money and be profitable and also make food,” he said. “The pandemic and closing my restaurant sped that process up.”

The couple took over the former Bovine Bakery on Kentucky Street in March 2020, planning to simultaneously run the new Osteria and Toby’s Coffee Bar in Point Reyes and the new bakery.

“And then everything exploded,” Caiazzo said of the pandemic regulations that closed restaurants, slowed construction and permitting and left him and many other restaurateurs wondering what do to next.

Owners Christian Caiazzo and Katrina Fried at Stellina Pronto in Petaluma. (Courtesy of Stellina Pronto)
Owners Christian Caiazzo and Katrina Fried at Stellina Pronto in Petaluma. (Stellina Pronto)
Entrance at Stellina Pronto in Petaluma. Courtesy photo.
Entrance at Stellina Pronto in Petaluma. (Stellina Pronto)

A new plan

On a recent Sunday morning, customers steadily streamed through the bakery cafe, eager to get their hands on still-warm morning buns, chocolate hazelnut cornettos, olive oil cakes and cookies. There is also warm focaccia, buns filled with pastry cream and an ever-revolving lineup of Italian-inspired sweets and savories. Sandwiches and salads appear later in the day.

Fried is the face of the operation, running the register, coordinating a handful of front-of-house staff and helping to design the retail space that the couple remodeled themselves. The shelves that hold tinned fish, Linea Caffe coffee and other Italian packaged foods, as well as eating counters inside, are wood slabs repurposed from Osteria Stellina’s bar.

Panzanella salad at Stellina Pronto in Petaluma. Courtesy photo.
Panzanella salad at Stellina Pronto in Petaluma. (Stellina Pronto)
Mushroom and cheese puff pastry at Stellina Pronto in Petaluma. (Heather Irwin/Sonoma Magazine)
Mushroom and cheese puff pastry at Stellina Pronto in Petaluma. (Heather Irwin/Sonoma Magazine)

Fried also makes sure each new dish that arrives on the counter looks picture-perfect. There’s a reward to lingering a bit just to see what comes out next from the kitchen.

“We’re preparing instead of cooking things to order,” Caiazzo said. “We make 18 sandwiches at a time, we put them out and we make something else.”

There’s no table service, no line cooks. The staff is limited and the focus is on high-efficiency output to keep costs low. Don’t confuse Stellina Pronto with a mass-production operation, because Caiazzo is passionate about Slow Food, high-quality ingredients and supporting the regional food system. They buy much of their produce from Green String Farm in Petaluma and local farm markets.

So how does it all pencil out? There’s no road map, so Caiazzo is constantly tinkering.

Stationed at the ovens in the back, Pastry Chef Alison Cavallaro looked exhausted as she pushed tray after tray of bread and pastry into the oven.

She started 4 a.m., and she explained the process as a sort of dance. Something is always proofing or baking or in production. Her hands slid over a tray of focaccia straight out of the oven, smothering it with sauteed lemon, olive oil and herbs. A tray of cinnamon rolls scented the air. By 11 a.m., she had already worked seven nonstop hours.

Italian pastry from Stellina Pronto in Petaluma. (Stellina Pronto)
Italian pastry from Osteria Pronto in Petaluma. (Stellina Pronto)
Cappuccino at Stellina Pronto in Petaluma. Courtesy photo
Cappuccino at Stellina Pronto in Petaluma. (Stellina Pronto)

Ironically, Stellina Pronto was never supposed to be a bakery.

“It was mainly a pizza concept,” Caiazzo said. “But when we closed Osteria, we also lost our supplier of baked goods for Toby’s Coffee Bar. So we expanded morning prep and baking for Pronto cafe as well.” The large kitchen at Stellina Pronto was a perfect space to create a bakery for both businesses. And that, he said, was a boon as the planned wood-fired pizza oven sits idle waiting for permits to operate the high-temperature cooker with a specialized vent. That could take anywhere from weeks to months.

He’s not worried, though, because he has plenty more ideas for tasty treats, like the pork buns he made that morning with Niman Ranch pork and brioche dough. And locals are eating it up.

“The support we’ve received from Petaluma has exceeded our every expectation,” said Fried as Caiazzo continued filling drink orders behind the espresso machine. “We’re working our hearts out to keep up with demand, and we’re having a ball.”

23 Kentucky St., Petaluma, stellinapronto.com. Open Thursday through Monday from 6:30 a.m. to 2 p.m.

Sonoma’s First Afro-Indigenous Farm Honors Traditional Agriculture

EARTHSeed is a new permaculture farm that both grows food and fosters resilence in the land and its people. One of founder Pandora Thomas’ goals is to make the farm and its products accessible to those who have historically faced barriers to access, particularly communities of color. She hopes to offer a robust program of classes and farming internships. (Beth Schlanker/The Press Democrat)

In a county celebrated for its agriculture, just 2% of Sonoma’s farmland is Black-owned. But when Pandora Thomas first stepped onto Gabriel Farm, a piece of land for sale outside Sebastopol, she thought to herself, “This place is calling me.”

Not long after, in March of 2021, with support from a wide circle of collaborators and private donors, Thomas purchased the 14-acre property and founded EARTHseed, California’s first Afro-Indigenous permaculture farm. EARTHseed is teeming with life. There are over 4,000 fruit trees — apple, plum, persimmon — plus raspberries, native and medicinal plants, insects, and more than a few gophers. The farm is a place to practice and teach African agricultural skills that have endured and evolved despite centuries of slavery and diaspora.

“It’s really a reclaiming of those ways,” Thomas says. EARTHseed’s ethos is grounded in the West African principle of sankofa — which means, in Thomas’ words, “We must know where we came from in order to move forward.”

Produce, T-shirts, baskets, lavender, sage bundles and popsicles are for sale at EARTHseed Farm in Sebastopol, on Saturday, July 24, 2021. (Beth Schlanker/The Press Democrat)
Produce, t-shirts, baskets, lavender, sage bundles, and popsicles are for sale at EARTHseed Farm in Sebastopol. (Beth Schlanker/The Press Democrat)
Signage by artist-in-residence, Radioactive, at EARTHseed Farm in Sebastopol, on Saturday, July 24, 2021. (Beth Schlanker/The Press Democrat)
Signage by artist-in-residence, Radioactive, at EARTHseed Farm in Sebastopol. (Beth Schlanker/The Press Democrat)

Thomas is a designer, community-builder, and permaculture teacher with a deep love for Sonoma County. Permaculture, as she puts it, is “an ecological design system rooted in Indigenous wisdom that elevates ecosystem health while meeting human needs.” It’s an approach that fosters resilience by working with natural systems, rather than imposing a structure from the outside. In a place like Northern California, already strained by drought and wildfire, practitioners believe it’s an essential tool in climate change adaptation. That’s part of why EARTHseed is partnering with Indigenous land stewards whose knowledge of this place runs deep.

San Francisco resident Erica Stinemates picks blackberries to make jam at EARTHseed Farm in Sebastopol, Calif., on Saturday, July 24, 2021.(Beth Schlanker/The Press Democrat)
San Francisco resident Erica Stinemates picks blackberries to make jam at EARTHseed Farm in Sebastopol. (Beth Schlanker/The Press Democrat)
San Francisco resident Erica Stinemates heads out after picking blackberries to make jam at EARTHseed Farm in Sebastopol, Calif., on Saturday, July 24, 2021.(Beth Schlanker/The Press Democrat)
San Francisco resident Erica Stinemates heads out after picking blackberries to make jam at EARTHseed Farm in Sebastopol. (Beth Schlanker/The Press Democrat)

During this first year, Thomas and her collaborators are taking their time getting to know the land. They’re laying groundwork— building up the soil, installing water-catchment systems, and preparing for wildfire season. They’ve hosted their first community “U-Pick” days. And they’re exploring the best way to make their farm, its bounty, and its teachings available to those who often face barriers to access: Black people and people of color, youth, and seniors.

“There’s a sense of possibility and abundance here,” Thomas says, looking out over the rows of apple trees, heavy with fruit. “We want that for everyone, but for Black folks especially—to come home to a piece of land and feel like everything they need is taken care of.”

Families and individuals can visit EARTHseed on designated U-Pick days. Check earthseedfarm.org for offerings and availability.